contactless debuts on uttu with 4 electro cuts for the head, the whip and the club. taking inspiration from boombass, electro-electronix, the lead track static takes you on an electrosoul journey to the beyond, updating the motor city template with fresh styles. cybernetik jerkin is a prime slice of hi speed funk, sure to get those feet workin and jerkin’. robot wreckin crew introduces the most bad-assed cybernetic b-boy crew around, with added flavour ready for the sub-woofer in your trunk, whilst e.p. closer downpour twists the program even further to include drum and bass influenced melodic elements over steady electro beats. 4 cuts guaranteed to inject emotion into our increasingly automated society!

soulful songwriter richard bailey and vocalist lain gray (best known wookie’s “the battle”) bring you “all my desires”. this time featuring remixes by tom funk, a soulful house flip with roy ayers eque vibes to get any floor movin’. on the flip side, the broken pieces remix courtesy of emerging broken beat producer fradinho.

the modern master of subliminal deep house is back with a new album. galcher lustwerk has rightly earned a sterling reputation for his understated, always entrancing approach to 4/4 grooves. after last year s dark bliss lp and recent diversions via his road hog alias, he s offering up eight heavy-lidded cuts to suit the smokers as much as the dancers. get blissed out in the sax-licked delights of skits like -blue lotus- or lock into the mellow raps and steady-ticking rhythms of see you when i see you 200% galcher goes down smooth from start to finish, like all good albums should.

acht jahre müssen gefeiert werden: kompilation zu ehren des “best chicago dance music label not based in chicago”.

excellent phunky chicago house ... four biggies

aussie house maestro, matt meler debuts on house puff with a tasty club-focused four track release. the a-side kicks of with -the looker- full of freq d n filtered stabs and pads that ll get the juices flowing. a2 strips a few layers off for a hypnotic bumper, -rub- a-dub-. incognito cognito, thumps us with a heavy hearted groove with etherial textures and psychedelic atmospheres. closing out the b-side is - nice things-, saturated with classic deep influences, wonky lfo s and hats for days. wrap your head around this all class ep.

an all-time rave classic gets the gerd janson re-loving as he works his magic on the 1992 anthem dont go. 26 years on from it s first release, gerd takes the tempo down a notch laying out that all too familiar drum break, instantly recognisable piano line and julie mcdermott s timeless vocals. his subtle touches and added weight, behind a pounding kick, are sure to set any dancefloor alight. about as euphoric as they get - if this doesn t do the business then god help us all. on the b side, belfast s ejeca flips don t go into a heavy-hitting, rave tinged, techno bomb. his inventive sampling turns the synth stabs and vocals on their heads, making them almost indistinguishable, but no less impactful, from the original. it s over four and a half minutes till the iconic chord progression is heard in it s initial form, before ejeca throws it back into a rapid fire, industrial thumper. lastly, gerd serves up a vip dub mix echoing claps and synth lines into the stratosphere, whilst leaving the vocals at bay, save a short cry of don t go from julie towards the end of the track, allowing those anthemic elements to do the talking. a modern touch on an all-time classic from gerd with a complete reinterpretation from ejeca, this is a heavyweight release and one thats already being played by the biggest and the best out there.

12 inch vinyl + poster & download ... previously undisclosed rituals is the first various artists release on veyl — an experiment in noise & body music. years of denial, cassegrain’s rhyw (under his poison green alias), downards affiliate autumns, rnxrx, exhausted modern and label mainstay maenad veyl contribute one ritual each for this grimoire that is guaranteed to keep everyone angry and confused throughout the rest of 2018. the record comes with photography by tomaso lisca, download codes and a poster of a death metal festival that never was and may never be.

as the first asian-american solo rapper to perform at lollapalooza and coachella, and to release a greatest hits record, lyrics born has broken through countless barriers to cement his illustrious career. now, on september 14th, on the cusp of acting appearances in acclaimed films as sorry to bother you, and the upcoming always be my maybe, he will be the first asian-american solo rapper to release a 10th album a record of funk and soul woven into classic, boom-bap hip hop called quite a life via mobile home recordings.

since 2010, buyepongo has led a steadily growing los angeles underground movement that combines the vast influence of traditional tropical sounds with the streetwise edges of the latin american diaspora. much like their name implies (translation: to cause a ruckus), their hybrid style is focused on the celebration, an infectious, energetic vibe that is universally and rhythmically connected. it ll get your feet moving, and much like many of the records from the golden age of cumbia, these two offerings demonstrate an updated and adapted reverence for the roots that is truly distinct to their own unique place and time. for the group s latest single, that place, the sprawling latinx scene east of los angeles, met head on with the east coast hot pot of brooklyn. recorded and produced in collaboration with names you can trust during the band s serendipitous 2017 trip to nyc, this new release takes two of buyepongo s most fan-favored and party-tested original songs, two that had yet to be recorded, and combines them with the nyct forty-five ethos: a stripped-down, warm analog recording that perfectly captures buye s live, bring-the-ruckus style in the room as it happened. por la vida romps over the a-side, a modern-day classic in the making whose lyrics (how beautiful is life, always full of surprises) compliment a sunny, easy-going house party vibe, while miri on the flip evolves from a loping, almost reggae groove into a transcendent journey through caribbean feel-good sounds.

the secret mystery school alias was created for the inaugural release on crash reserve records. four untitled dance tracks to get feet slippin and mindz trippin. acid flavoured house and techno to set the tone for a foreboding, futuristic reality. dystopian sounds for a dystopian age.

with the disco revival firmly set at full steam quantize recordings felt it was the right time to dig in & rework what is widely regarded as one of the biggest anthems from the disco era - loleatta holloway’s “love sensation”. often imitated, & much sampled they had to be firmly on their game with this and boy did they hit it hard now blessed with the talent of susu bobien on lead vocals (and the equally talented tasha larae on bvs!) alongside a full horn section, “love sensation” is back once more and ready to do damage to a whole new generation of dance floors! the much sought after accapella is also included on this release, the only format you’ll ever be able to get this on!

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

london based artist doppelate is next up on x-kalay and debuts on the label with a four tracker of detroit house inspired club jams. having initially caught our attention with his records for our friends over at lets go swimming we’re super excited to provide the platform for his next release.

kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)

180 gram double vinyl, housed in a gatefold sleeve with download code included. first time on 2 lp vinyl! features >rock n roll is dead<, >cant get you off my mind<.. includes three rare bonus cuts.

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

produced by eminem, compiled by the alchimist. 2018 back in.

incl umbrella ! one of the hottest women in the scene comes here with his brilliant album >good girl gone bad<.

kein geringerer als lenny kravitz meldet sich 2018 zurück auf der bildfläche des rock. im gepäck hat der sänger, songwriter und produzent sein neues album »raise vibration«. vier jahre haben fans auf den nachfolger von »strut« (2014) warten müssen. dass sich das warten gelohnt hat, bewies kravitz bereits vorab mit der ersten singleauskopplung, dem fast achtminütigen gesellschafts- und politikkritischen protestsong »it’s enough« mitsamt brisant-bewegenden ausschnitten im musikvideo. das lied zeigt kravitz von einer neuen seite. ansonsten bewegt sich »raise vibration« zwischen psychedelischem funk, rock, blues, country und soul, zwischen kraftvoller hymne und gefühlvoller pianoballade mit streichereinsatz.
das exclusive farbige doppel-vinyl erscheint im klappcover inklusive downloadcode.

kein geringerer als lenny kravitz meldet sich 2018 zurück auf der bildfläche des rock. im gepäck hat der sänger, songwriter und produzent sein neues album »raise vibration«. vier jahre haben fans auf den nachfolger von »strut« (2014) warten müssen. dass sich das warten gelohnt hat, bewies kravitz bereits vorab mit der ersten singleauskopplung, dem fast achtminütigen gesellschafts- und politikkritischen protestsong »it’s enough« mitsamt brisant-bewegenden ausschnitten im musikvideo. das lied zeigt kravitz von einer neuen seite. ansonsten bewegt sich »raise vibration« zwischen psychedelischem funk, rock, blues, country und soul, zwischen kraftvoller hymne und gefühlvoller pianoballade mit streichereinsatz.
das schwarze doppel-vinyl erscheint im klappcover

moscow head-honcho archie hamilton teams up with cousin benson herbert for another collaborative ep on the imprint, bosteled via a club ready reshape from s.a.m. having already garnered support from some of the biggest names in minimal house, including raresh and barac, for previous productions, the ‘swerve’ ep is benson’s second, family-affair release on moscow. a promising up and coming talent, benson’s already played some of europe’s most prestigious dancefloors including sub club, fabric and paris’ rex club. as moscow enters its tenth year of releasing the most forward thinking and respected names in house and techno, label boss archie hamilton continues to release across europe’s most highly revered labels, whilst playing the world’s most exciting clubs and festivals including robert johnson, miami music week’s get lost chicago’s spy bar, croatia’s sonus and estonia’s moonland to name a few. ‘swerve’ sets a powerful pace with a rumbling bassline, offset against gorgeously melodic and minimal textures, it’s a roller that will undoubtedly be thriving across dancefloors this summer. informer, is a complex myriad of winding and hypnotic micro-melodies, which serves as a unique and effervescent follow up to the ep’s first track. denmark’s hotly-tipped dj/producer s.a.m is on remix duties for ‘informer’, delivering a jacking slice of dub infused four-four that deftly utilises the haunting riff of the original.

le matin, always rare and uncategorised, following the reissue of his early synthwavepop tunes on poussiere depoque and a track on the good lena wilikens dekmantel selectors 005 comp, this new ep on lost dogs ent. let you hear some of his last works. expect an ultra-cold-minimal-electro riddim, a less-mental-nearly-good-for-the-dancefloor tune with depitched haunted r&b vocals, an analog and bassy arpeggio ride on the flip side, oh my god! this is the peak-time-for-weirdo-nearly-techno tune, a blast, only for craziest djs that like broken-frustrated-uncomfortable dandefloors and to finish this well balanced 5 trackers: the are you depressed that much? its the 10th time youre listening to this ost of a dying world, this wont get any better but at least this is good music! tune. le matin is a good kept secret that prefer to take care of his kids than to travel the world of nightclubbing with drunk teens (ok thats how it is in france, that looks better in some other countries), but sometime you can hear his music on decks of some wise people and djs like call super, lena wilikens, house of traps, charles drakeford, jon k, bergsonist, body motion

big crown records is proud to present another tough as nails split 7”!
the a side is a killer and well sought after reissue of the sonics “find myself another girl”. a tune that lands in one of our favorite sub genres - happy break up songs. the sonics rip into it with a dance floor friendly drum beat covered in uplifting horn arrangements, singing the tune of someone who is relieved to be out of a relationship gone sour. a proper dance floor burner sure to be in all the soul dj boxes. the b side is a never before released version of the classic and often covered “spooky”. taken from the original master tapes and edited down to fit a 45, this is the first time this tune is seeing the light of day. texas outfit s.c.a.m. takes the tune on a proper journey, easing into it on this 45 edit and finding their way through horn crescendos and dropping down to drums bass and rhythm guitar. an easy favorite version of the hit tune that collectors will love to get their hands on.

us garage doesnt get more bumping than this of course its plastik people flying the flag for the evergreen sound where swing is king and a diva vocal is more than welcome. soledrifter wastes no time in diving into the funky house mindset on this various artists 12inch, keeping things heady and tracky where it counts before snazzy trax brings in a cheeky twist on a bona fide garage classic, now called the experience. joe olindo shines bright with the sexy, sharply pointed how i knew, and then lombard street takes things smoother on closing track whats wrong.

krikor is back on the label with a new six tracker. following up his pacific alley lp from last year, we now get pacific alley in dub, taking tracks from the lp and re-working with ample echo and new riddims strictly made for the dancefloor. spacious pads and linn drum claps are run through the board as voices ping back and forth in the chamber, equally blissed out and trippy turning these tracks into completely new freaked out compositions. summer jams guaranateed. includes download card.

19 tracks from the critically acclaimed feature film on the ground breaking and iconic label mo’ wax. limited edition blue and red double vinyl, housed in a gatefold sleeve with download code included.

direkt im anschluss der nutzung von ›you can’t always get what you want‹ im staffelfinale der emmy-prämierten tv show big little lies, erscheint ›chill in saint tropez‹, ituanas debütalbum, zum ersten mal als cd sowie auf vinyl. das album liefert kollaborationen mit são vicente und dem tango tripping project und enthält lounge versionen von klassikern wie bob marleys waiting in vain, the doors light my fire und astrud gilberto & stan getz garota de ipanema. als bonustrack enthält das album zudem den special big little lies edit von ›you can’t always get what you want‹, so wie er in der hbo erfolgs-show eingebunden ist. dies ist eine weitere großartige ergänzung für ihre lounge music sammlung.

planet e are proud to present aw18 collection, a 3 track ep from british producer tom flynn. drawing upon a broad and learned musical understanding, aw18 collection fuses disparate strands from the worlds of fashion, club culture and sound design to forge a highly atmospheric, singular release. packard, the title of which is inspired by parties in the historic detroit power plant of the same name, establishes an unrelenting energy from the get go. a bouncing kick lays the foundations for rolling synths, unnerving vocal samples and delicate piano refrains to wander. anna is an indulgent nod to the catwalk, marching with intent amidst immersive chords and subtle melodies. the b side hosts a trippy cut full of interplanetary glitches and melancholic harmonies. drawing upon hints to the extraterrestrial, marx creates a dizzying swirl with glistening textures. carl craig was sold straight away: when tom sent me his demo of packard i knew i wanted to release it on planet e. the mix of looped electronics with soul of the piano brought me back to when i first heard the post-disco classic beyond the clouds. i can imagine the kids on the scene rockin hard to this.

solar phenomena continues a high quality and high rate of releases after eps from the likes of stl and fluxion with a new one from mystica tribe - the musical alias of tokyo-based producer, taka noda. here he draws on everything from dub, soul, bass music, rhythm and blues and will always freak you out with his unusual sounds.
this excellently absorbing ep starts with “love is all right”, a fusion of asian percussion and reggae drums that is high tempo and funky. the bright steelpan sounds offset the razor sharp percussion and make for a sunny dub that will get any crowd going. the same fusion vibes continues but in more blissed out and slow motion fashion on “lawn track”, the beautiful cosmic psyche-out that is “ash” and supple space journey that is “voyage” with its intoxicating melodies and loose, tumbling percussion. this is unusual but essential music from an exclusive talent.

bristol’s finest reggae producer meets doncaster’s number one dancehall mc as mr benn & parly b join forces for an ep chock full of vibes. first up -gwarn go bathe- is a cautionary tale of lacking personal hygene in the dance underpinned by a bubbling dancehall riddim. -heat up- is much of the same as things get hotter, whilst -session cork- slows things down a little with some more laid back vibes. despite working on various remixes together, this is the first time mr benn and parly b have worked in a combination - hopefully the first of many more to come!

limited collector’s re-issue of the 1972 album from curtis mayfield and the impressions. pressing on 180 gram vinyl.

15 years anniversary gold vinyl edition.

pleasure planet is the latest musical venture of kim ann foxman alongside andrew potter and brian hersey, and enables the trio to express and explore their unique and eclectic musical tastes. their first release will drop on the brand-new firehouse imprint, self:timer. “pleasure planet is an extraterrestrial doomsday cult. they do whatever they want and their music is their message to planet earth. self:timer is their messenger. the rest doesn’t matter.” — pleasure planet pleasure planet has been a little while in the making. having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. pleasure planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

das album spiegelt die vielseitigkeit im musikalischen universums dirty doerings wieder das nicht nur aus einer gerade 4/4- bassdrum, sondern auch aus gebrochenen beats, hip hop, jazz, weltmusik, gitarren, klavier, klassischen elemente und vielem mehr besteht. es überrascht uns mit sounds, wie zum beispiel die downtempo-stücke timeless, &#769,,,,luisa way und monday only. zusammen mit den clubbigeren tracks wie black forest, &#769,,,,burning ham oder high level road und purple disco entsteht ein spannungsbogen, der einen unwiderstehlich in den bann zieht.

hello leif mueller on shtum. pleased to meet you. especially with such a strong debut release. everything is starting with the no-nonsense-techno track teleshop which is designed for big room pleasures. on wo ist meine playstation 4? things get a little more psychedelic without losing the straightness you need to get lost in the dance tunnel. cairo is a lesson in keeping goose bumps alive with its up and down galloping synth stabs. to cool things down, the stuttgart based producer drops nightcleaner, a quietly starting ambient affair that evolves into a little acid monster.

kerri chanler , adesse versions, dj deep, matrix, demuja & more

we are pleased to have a debut release on nomine sound from e3 breaks. this outfit consists of grime maverick as if kid and the one and only godfather of grime dj slimzee. this guise that these 2 have opted to go with seems to have given them the urge to explore the deeper and darker side of the 140 sound. get your bass bins ready!

after marcin krupa’s jazz laden pumpers on sour edits vol 2, sour edits is back with a four-tracker featuring the first vinyl release from emerging talent braga circuit alongside label boss xxxy. the a1 is the collaboration between the two artists “take you there”. slamming drums, melancholic vocals and soaring soul samples to bring a tear to the eye and a pump to the fist a2 “one i got” is a straight up romantic soul swinger from the boy wonder on his own, craftily chopped samples sit alongside swinging drums to get any good dancefloor moving b1 “i won’t, i never” sees xxxy mixing baltimore breaks with romantic vocals and soaring strings for another tears on the dancefloor moment. b2 “what you do to me” closes out the record with a slap bass fest that builds and builds.......

it doesn t get much bigger than this: adam beyer links up with green velvet and drumcode s outstanding rising star layton giordani for a debut collaboration. some musical partnerships feel fated. both fans of one another s work, for years adam beyer and green velvet had discussed writing music together. in turn, beyer s protégé layton giordani had admired the chicagoan s work for as long as he could remember. when the 25-year-old found himself playing alongside the green mohawked legend at belfast s shine, the spark and subsequent friendship was immediate. with the links now set in place, it was only a matter of time before the trio s creative chemistry would manifest musically. ‘space date was conceived organically and birthed quickly. propelled by green velvet s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that s highlighted sets by beyer at awakenings, ushuaia and also edc vegas when green velvet dropped it to a raucous response. the track is complimented by rome future , the product of a year-long series of productions between beyer and giordani. deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who ve followed their sets over recent months.

spell pets backwards to get step. spell step forwards and you get pets going back to basics. step is the new vinyl-only label from the founders of pets catz n dogz with a focus on the rawest forms and root functions of dance music. step searches for the fundamentals with under-the-radar house and techno thats not afraid to be rough around the edges. it’s all about the music.

finale sessions is excited to add italian super producer simone gatto to label and i will let the music speak for itself. much love from finale sessions

from the on_ series where unconventional, hard edged, experimental and archival club cuts get s re-presented, remixed and highlighted. laton outs russian newcomer ectro usic with a slamming, gritty & heavy duty electro/techno full side. flip carries dj sotofett s broken but strobicly steady club mix of – austrian inventor & synth specialist – a.burger s -device c- which in original suit has been released by craft records (1996) and laton (1999). a proper zone out.

two long-time friends juho kusti (deep space helsinki, parabel) and ville vähäsaari (rezonans) bring you their brand new label, no future but what we make. the label’s first release features two broken beat burners on the a-side from detroit-based uun (mord, ego death) coupled with a more straightforward remix from acid mammoths boston 168 (bpitch control, odd even, enemy records) on the b-side. make a difference. get involved. there’s no future but what we make.

one of our most mysterious and intriguing states of consciousness is the dream. we lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. roger is one of those lucid pioneers that is able to translate these experiences into sound. let him guide you through these wondrous clouds. were very happy to welcome dutch-born german-raised roger van lunteren on sohaso for the first time. his rosa dos ventos ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of lynchian dreamscapes. vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. a gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions. aroy dee remixing vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. sleepless is rogers hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. it rounds off a balanced ep with plenty of introspective dance material.

the first one was already a success... and its successor promises just to be the same: new hot stuff from the city of dusseldorf. once again, versatility is key, with two dreamy yet energetic ravers by dj normal 4 + 4boom & aki aki and one downtempo chugger by kaschiel. get familiar!

after their histoire d une ame ep in 2017, peine perdue returns to electronic emergencies with a full album. tokyo en morceaux contains 11 new tracks by the avant-garde acid wave duo residing in paris and berlin. tokyo en morceaux takes you on a dazzling joyride through the streets of the metropolis, high on devotion, deception, delirium and many other intense emotions that echo between the skyscrapers, trying not to get lost in translation.